- brak w sklepie
Hindustani Music and the Aesthetic Concept of Form
With its roots in the Samaveda (which treats it as a divine art ), music in India has a long, splendid tradition. Over the centuries, it has absorbed fresh influences and experimented with new forms to finally evolve into two meticulously codified classical systems: Hindustani and Carnatic...
With its roots in the Samaveda (which treats it as a divine art ), music in India has a long, splendid tradition. Over the centuries, it has absorbed fresh influences and experimented with new forms to finally evolve into two meticulously codified classical systems: Hindustani and Carnatic. In today s growing library of writings on Hindustani music, Anjali Mittal s research is yet another valuable addition adopting, as it does, a viewpoint which has been neglected so far, namely, the viewpoint of contemporary western aesthetics. It is for the first time that this monograph examines the concept of form in Hindustani classical music. In this context, analytic attention has been focussed on some select compositions in dhruvapada, dhamar, tarana, vilambit and drut khyal genres of Hindustani classical vocal music. A wide variety of drut tanas has also been analysed in terms of notation and linear diagrams. Such diagrams, in fact, distinguish the present volume. Analysis of some rhythm-cycles and rhythmic patterns is another feature of this book.
[z okładki]
Uwagi: przetarcia na krawędziach obwoluty; blok bdb.
Dane
- autor
- Anjali Mittal
- okładka
- twarda z obwolutą
- ISBN
- 8124601348
- seria wydawnicza
- New Vistas in Indian Performing Arts
- wydawnictwo
- D K Printworld
- rok wydania
- 2000
- liczba stron
- 174
- numer wydania
- 1
- szerokość produktu
- 19
- wysokość produktu
- 24,5
- grubość produktu
- 2,0
- waga
- 0,55
- język
- angielski
- stan
- bardzo dobry -
- zbiór
- BS/AJP